Journal Articles

‘On Divided Lines: Instrumentation for Bass Parts in Corelli-era Sonatas’, Performance Practice Review 13 (2008), [1-15].

‘Reconstructing the Archangel: Corelli “Ad Vivum Pinxit”’. Early Music 35 (2007): 525-38.

[Review article] ‘Beyond Anachronism: Orchestras and Orchestration in the 21st Century’, Journal of the Royal Musical Association 130 (2005), 302-26.

‘ “Sonade, que me veux tu?”: reconstructing French identity in the wake of Corelli’s op. 5’. Early Music 32 (2004), 27-47.

‘Iconography and Early Violin Technique’. The Consort 54 (1998), 3-17

‘Performing Corelli’s Opus 5’ Early Music 24 (1996), 133-42.

‘Mozart and the Violin’. Early Music 20 (1992), 7-29. ‘Music and Sweet Poetry’? Verse for English Lute Song and Continuo Song. Music and Letters , 65 (1984), 237-254.

‘The Influence of the Italian Violin School in Seventeenth-century England’ Early Music 18 (1990), 575-87.

‘Ill-compliments and arbitrary taste’? Geminiani’s directions for performers, Early Music xiv (1986), 221-35.

‘The English Masque in a European Context’, La Musique et le rite sacreé et profane (Procedings of the International Musicological Society Congress vol.1). Strasbourg, 1986, 384-9.

[An additional note on fingering]. Early Music 13 (1985), 79.

‘Violin fingering in the 18th Century’. Early Music 12 (1984), 300-15.

‘The origins of English recitative’. Proceedings of the Royal Musical Association, 110 (1983-84), 25-40.

‘La Musique de la paix du roi’ in La Chanson à la renaissance, ed. J-M Vacarro. Luynes, France: Editions Van de Velde, 1981. The same article appeared as ‘La Musica della pace regale’. Mitologia convivenza di musica e mitologie, ed. Giovanni Morelli. Venice, 1979, 46-58.

‘New Light on Songs by William Lawes and John Wilson’. Music and Letters, 57 (1976), 55-64.

‘Lyra Viol Song’. Chelys 5 (1973-4), 68-75.

‘Common 16th-century dance forms: some further notes’. Early Music, 2 (1974), 164-5.

‘Jonson’s Borrowing’. Theatre Notebook 28 (1974), 90-1.